The Land of Steady Habits is an upcoming American film written and directed by Nicole Holofcener based on the homonymous novel by Ted Thompson.
It will have its world premiere at the Toronto International Film Festival on September 12, 2018. It is scheduled to be released on September 14, 2018.
Feeling trapped in the suffocating and rich enclave of Westport, Connecticut, a man retires from his work in finance and leaves his wife in the hope that he will renew his desire to live. He befriends a teenager addicted to drugs, sending him on a path of reckless and regrettable behavior. His shameful actions lead him to question who he is as a father and, ultimately, who he is as a person.
Initial release: September 14, 2018 (USA)
Director: Nicole Holofcener
Production company: Likely Story
Screenplay: Nicole Holofcener
Music composed by: Marcelo Zarvos
The Land of Steady Habits (2018) online news
The Land Of Steady Habits: the film of a retired family father in search of his freedom
The Land Of Steady Habits narrates the life of a newly retired family father who decides to leave his wife to seek his freedom and embark on a journey to reconcile his past with his present.
The adaptation of the novel by Ted Thompson is directed by Nicole Holofcener, the cast is formed by Michael Gaston, Ben Mendelsohn, Edie Falco, Thomas Mann, Connie Britton, Elizabeth Marvel, Natalie Gold and Josh Pais.
Netflix announced that The Land Of Steady Habits will be part of its catalog starting September 14.
Actually, Anders Hill could simply enjoy life: he is around 50 years old, he is retired and he is economically well-off. And yet, there is this longing to break with habits and live a completely different life. And so one day he leaves his wife and tries to start all over again. It is the beginning of a journey towards oneself and the attempt to reconcile the past with the present. The first trailer and poster of the independent drama “The Land of Steady Habits”, starring Ben Mendelsohn, the successful actor nominated for the Golden Globe in the series “Bloodline”, was released.
Released in Toronto, two Golden Globe winners in the help film will perform at the International Film Festival, Edie Falco, “Nashville” on the Golden Globe-nominated star Connie Britton, “Ozark” series we know of Charlie Tahan, Natalie Gold, Thomas Mann, Elizabeth Marvel, Josh Pais and Michael Gaston are involved. The director and screenwriter of Filmin is the award-winning director Nicole Holofcener, known for her 2013 film “No More Nothing.”
Anders Hill (Ben Mendelsohn), who feels trapped in the hard and opulent city of Westport in which he lives, resigns his financial affairs and leaves his wife (Edie Falco) to recover the wrong desire. But in a short time, you face the astonishing reality of the decisions you make; They spend the day looking for things to fill their empty shelves, be with strangers and feel extremely lost. Anders, anguished by his ex-wife and open to his 27-year-old son (Thomas Mann), befriends a drug-addicted teenager (Charlie Tahan) and drives him in a sorry way. His embarrassing attitudes lead him to interrogate him as a father and finally as a human being.
“The Land of Steady Habits” will be presented to the audience on Netflix on September 14.
Ben Mendelsohn, Edie Falco and Connie Britton star in the last of Nicole Holofcener (Enough Said), in which a newly retired husband and father abandon his wife in search of freedom, but his new and reckless path makes him long for the constant comforts of his old life. For 200 years, Connecticut has been called “the land of constant habits,” initially for its political stability, although richer ironies quickly emerged.
In 2014, when Ted Thompson wrote the novel on which the new film by Nicole Holofcener is based, the constant habits became a fair description and a caustic joke.
Ben Mendelsohn plays Anders Hill, a middle-aged man who has divorced his wife, Helene (Edie Falco), and delivered the comforts of thriving family life for … well, he’s not sure. Withdrawn from work, released from marriage and largely abandoned by his adult son, Preston (Thomas Mann), he seeks that liberating lightness he once had.
But the uncomfortable dates are unsatisfactory, even with a woman as animated as Barbara (Connie Britton). Anders is drifting towards teenage adventures, trying to make friends with his neighbor’s teenage son, Charlie (Charlie Tahan), and join the risk-taking he should have overcome decades ago.
Played with the charm of lying by Mendelsohn, better known as a character actor, Anders is the type of man who often finds himself at the center of movies, novels and plays. He is successful and idiosyncratic. His flaws somehow make him look more attractive. But look what Holofcener does with this character.
Under the auspices of the woman who made such insightful social comedies as Enough Said, Please Give, Friends With Money and Lovely & Amazing, Anders’ masculine and unbridled masculinity withers. As the film progresses, he directs a more penetrating look at his inquisitive protagonist, revealing more about Anders than he could ever want you to see.
Less fun but more pervasive than Holofcener’s comedies, The Land of Steady Habits emerges from a world similar to The Ice Storm, where money will not buy mindfulness, and a man’s understanding too often exceeds his reach.
“The Land of Steady Habits” endured Connecticut as a nickname for more than two centuries? One reason is that its meaning has proven remarkably elastic, capable of changing with the times, problems and attitudes of its users. When it first appeared in printed form in the early 1800s, the term “The Land of Constant Habits” was associated with the old Connecticut tradition of ensuring political stability through the repeated election of the same officials to the high office. As these perpetual officials were for one man members of the federalist political party that then dominated all of New England politics, the phrase was also associated with federalism and with New England as a region.
For the Connecticut Standing Order, however, “The Land of Steady Habits” scored the right note, which implies good governance, order, stability, virtue, congregational piety, and considered resistance to radical and unproven innovation. For his political opponents – who would dismantle the Standing Order and write the new state constitution in 1818 – “The Land of Permanent Habits” proved equally useful as an ironic shorthand for aristocratic rule, cronyism, unjust taxes, corruption entrenched, and thought backward Thus, the federal governor of the state could accuse his opponents in 1801 of trying to “break with the constant habits and good regulations of the people” (American citizen, February 24, 1801) while the Republicans at their Once they could accuse a federal judge of stealing the state treasury for two years “under the cover of ‘a stable habit'” (Courant, Hartford, Connecticut, July 15, 1801). Such charges were typical of the press coverage of “Steady Habits” well into the 1820s. They also underline a feature of the phrase “The land of constant habits” that is instrumental to their longevity: it works just as well .
Detail of the Connecticut State logo from the Capitol Building, Hartford
Detail of the Connecticut State Logo of the Capitol Building, Hartford – Library of Congress, Division of Prints and Photographs, Carol M. Highsmith Archive
The flexible meaning of Catchphrase ensures its longevity
Always implicit in “Steady Habits” has been an evaluation of the Connecticans character. When he noticed in 1827 that Connecticut “really was a land of constant habits,” the Boston Commercial Gazette came to describe the people of the state as, like their Puritan ancestors, “intelligent, hardworking, and religious.” . . (and) sober manners and behavior. “But the New York Telescope noticed in the same year that a third of the deaths in New Haven County were the result of drinking alcohol, which suggested that intemperance – not sobriety – was one of the state’s strongest. habits
Surprisingly, Connecticut’s divorce rates have long contributed to the state’s reputation for constant habits, but not in a good way. In 1849, the Albany Evening Journal noted: “The land of constant habits has acquired a bad name for its relentless habit of breaking the marriage bond for the most frivolous reasons.” Nineteen years later, the New York Observer and, under the title “Divorce in the land of stable habits,” noted that the divorce rate in Connecticut doubled that of Vermont, four times that of Massachusetts, and even worse than that of France during the days of the French Revolution. Over time, however, Connecticut reversed this trend. In 1946, the press (Hartford Courant, September 29, 1946, “Not Reno Here”) reported that “the land of constant habits had adopted a conservative attitude toward divorce.
” The state’s divorce rate was now only a quarter of the national average. Forty years after that, however, the tables had changed again. In 1986, The New York Times, reporting that married couples in Connecticut were expected to become a minority by the year 2000, reasoned: “Having constant habits in the land of constant habits is not a piece of wedding cake” .
Over the centuries, “The Land of Permanent Habits” has been used to represent -or has been used as a counter-sheet- a remarkable list of themes: Whig principles (para); blue laws (against); locofocoism (radical Jacksonian Democrats against monopoly and laissez-faire economics, against)
drink beer (for); sushi (for); economic growth (against); drinking in National Guard camps (against the weekly cost of $ 50,000); constitutional change (for and against); showing movies on Sundays (against); hair swinging by women (in